C

Crewe, Jonathon (2016) Entangled accompanied by an interview with Professor Jim Al-Khalili. In: Entangled accompanied by an interview with Professor Jim Al-Khalili, 16-17 November 2016, London, UK.

Crewe, Jonathon (2016) Toy Soldier. [Performance]

D

Davey, John (2017) Introduction. In: The Accrington Pals [by Peter Whelan]. Student Editions. Methuen, London, UK. ISBN 9781474285667

H

Harvard, Paul (2018) Good. [Performance] (Unpublished)

Henson, David, Webber, AL and Rice, T (2021) EVITA the Musical. [Performance]

K

Knight, Lesley Anne (2022) A way with words. The art of negotiation and collaboration in the age of the new woman on broadway as seen through the careers of Anne Caldwell, Dorothy Donnelly and Rida Johnson Young 1906-1928. Doctoral thesis, University of West London.

O

O'Malley, Evelyn, Turner, Cathy and Garcia, Giselle ORCID: https://orcid.org/0000-0002-2715-876X (2023) “Mundane” performance: theatre outdoors and earthly pleasures. Critical Stages.

P

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2021) Adapting Copla: the interplay of languages in making The Copla Musical. European Journal of Theatre and Performance, 3 (SEPT). pp. 214-255. ISSN 2664-1860

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2015) The Copla Musical: Exploring intercultural exchanges between English and Spanish musical theatre. Acotaciones, 34 (2015). pp. 53-81. ISSN 2444-3948

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2017) El musical del siglo XXI. Fundación Juan March, Ensayos de teatro musical español.

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2016) New insights into the notion of interculturalism and hybridity in musical theatre. In: Music on Stage Volume 2. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 96-110. ISBN 9781443896863

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2020) The Queerness of Copla: musical hope for the Spanish LGBTQ. In: Anthology on Gender and Sexuality in Musical Theatre. Intellect. (In Press)

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2015) Rediscovering Spanish musical theatre: exploring an intercultural adaptation of Copla. In: Music on Stage. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 184-197. ISBN 9781443876032

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2019) The evolution of musical theatre in Spain throughout the 20th and 21st centuries. In: Reframing the Musical: Race, Culture, and Identity. Red Globe Press, Springer Nature, London, UK, pp. 111-128. ISBN 9781352004397

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2018) A political evolution of Copla. In: Music on Stage Volume III. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 155-171. ISBN 9781527511613

Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 and Yeni, Naz (2018) In conversation: Alejandro Postigo and Naz Yeni. Book 2.0, 8 (1-2). pp. 85-100. ISSN 2042-8022

S

Sloan, Cathy (2014) From ‘Substance Misuse the Musical’ to ‘Double Whammy’: the affect of Outside Edge Theatre Company. In: Addiction and Performance. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 214-233. ISBN 9781443856577

Sloan, Cathy (2018) Understanding spaces of potentiality in applied theatre. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (4). pp. 582-597. ISSN 1356-9783

Szafranski, Bartosz, Thomas, Maureen, Salihbegovic, Fahrudin and Cork, Jo (2016) WE. [Performance]