Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2024) Outside Television: Fellini on Exposure and Attention in the Age of Abundance. Screen, 65 (1). pp. 25-46. ISSN 0036-9543

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2022) Like a mass image: Federico Fellini’s Le Tentazioni del Dottor Antonio, advertising and mimicry. Italian Studies. ISSN 0075-1634

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Cinema as (in)visible object: looking, making and re-making. In: Theorizing Cinema Through Contemporary Art: Expanding Cinema. Amsterdam University Press, Amsterdam. ISBN 9789462989467

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Antonioni and the aesthetics of impurity: remaking the image in the 1960s. Edinburgh University Press, Edinburgh, UK. ISBN 9781474444040

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Timothy Barker (2018) against transmission: media philosophy and the engineering of time. Film-Philosophy, 24 (1). pp. 75-77. ISSN 1466-4615

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Light and liminal: Marinella Pirelli’s expanded cinema. In: Experimental and Independent Italian Cinema Legacies and Transformations into the Twenty-First Century. Fairleigh Dickinson University Press, Edinburgh. ISBN 9781474474047

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2018) Desert/Oasis: interruption and continuation. Prospect VI, VI.

Nardelli, Matilde, Antonello, Pierpaolo and Zanoletti, Margherita (2017) Bruno Munari: the lightness of art. Italian Modernitie Series. Peter Lang, Oxford, UK. ISBN 9781787079915

Nardelli, Matilde (2017) The small, the large and the moving: Bruno Munari and cinema. In: Bruno Munari: The Lightness of Art. Italian Modernities Series. Peter Lang, Oxford, UK, pp. 253-291. ISBN 9783034319379

Nardelli, Matilde (2015) Munari cinematico. In: Munari politecnico. Fare dell'arte con qualunque mezzo. Nomos, Varese, Italy. ISBN 978-88-98249-37-4

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2014) No end to the end: the desert as eschatology in late modernity. Tate Papers (22). ISSN 1753-9854

Nardelli, Matilde, Antonello, Pierpaolo and Zanoletti, Margherita (2012) Introduction: Bruno Munari's lightness. In: Bruno Munari: The Lightness of Art. Peter Lang, Oxford, UK, pp. 1-24. ISBN 9781787079915

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2012) Leafing through Cinema. In: Framing Film: Cinema and the Visual Arts. Intellect, Bristol, pp. 129-145. ISBN 9781841505077

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2012) End(ur)ing Photography. Photographies, 5 (2). pp. 159-177.

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2011) Blow-Up and the Plurality of Photography. In: Antonioni: Centenary Essays. Bloomsbury, British Film Institute, London, pp. 185-205.

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2010) Some reflections on Antonioni, sound and the silence of La notte. The Soundtrack, 3 (1).

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2010) Moving Pictures: Cinema and Its Obsolescence in Contemporary Art. Journal of Visual Culture, 8.