Article

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) Creating a rubato layer cake: performing and producing overdubs with expressive timing on a classical recording for 'solo' piano. Journal on the Art of Record Production, 11. ISSN 1754-9892

Book Section

Capulet, Emilie (2021) Watch for the laughs! The music of graphic scores. In: Play for Health Across the Lifespan: Stories from the Seven Ages of Play. Routledge, Abingdon, UK. ISBN 9780367472887 (In Press)

Capulet, Emilie (2017) Preface to Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. In: Louis Vierne, Marche Triomphale pour le Centenaire de Napoléon I, op.46. Repertoire Explorer. Musikproduction Höflich, Heidelberg, Germany.

Capulet, Emilie (2016) The game of chamber music in dementia music therapy. In: Play in Healthcare for Adults. Routledge, Abingdon, UK, pp. 124-134. ISBN 9781315679846

Laney, Robin, Samuels, Robert and Capulet, Emilie (2015) Cross entropy as a measure of musical contrast. In: Mathematics and Computation in Music. MCM 2015. Lecture Notes in Computer Science, 9110. Springer, Cham, Switzerland, pp. 193-198. ISBN 9783319206028

Capulet, Emilie (2014) Scholarly preface (in English and German) to the score of Gabriel Pierné's Viennoise op. 49bis for orchestra. In: Gabriel Pierné, Viennoise op. 49bis for orchestra. Repertoire & Opera Explorer (1569). Musikproduktion Höflich, Munich, Germany, i-ii. ISBN Publisher number: 1569 MPH, Musikproduktion Höflich

Capulet, Emilie (2014) Scholarly preface (in English and German) to the score of Camille Saint-Saëns' Symphony in A (Youth symphony). In: Saint-Saëns, Camille: Symphony in A (Youth symphony). Repertoire & Opera Explorer (1500). Musikproduktion Höflich, Munich, Germany, i-ii.

Capulet, Emilie (2013) Through the looking-glass: transmediality in musicalized narratives of the Modernist period. In: Transmediality and Transculturality. Winter Verlag, Heidelberg.

Conference or Workshop Item

Capulet, Emilie (2021) Le paradigme cinématographique dans la musique pour piano d'Henri Tomasi / The piano music of Henri Tomasi and the cinematic paradigm. In: Colloque International Henri Tomasi, Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)

Capulet, Emilie (2021) La musique pour piano d'Henri Tomasi: partitions inédites, travail éditorial et pratiques pianistiques / Henri Tomasi's solo piano music:unpublished manuscripts, editorial work and performance practices. In: Colloque International Henri Tomasi, Institut de Recherche en Musicologie, Sorbonne Université, 6-7 May 2021, Paris, France. (Unpublished)

Capulet, Emilie (2021) The art of teaching the piano. In: Online Piano Workshop, 25 April 2021, Nicosia, Cyprus.

Capulet, Emilie (2019) "Why does music move us: music, health and wellbeing". In: 10th Annual Swindon Trauma Group Conference, 18 Oct 2019, Swindon, UK.

Capulet, Emilie (2019) 'Perspectives on authenticity in the representation of classical music in contemporary fiction'. In: Representing 'Classical Music' in the Twenty-First Century Network Event, 2 Sep 2019, Exeter University.

Capulet, Emilie (2019) The music of Henri Tomasi (1901-1971) and the cinematic paradigm. In: The Music of Henri Tomasi (1901-1971) and the Cinematic Paradigm, 11 July 2019, London.

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) The AHRC funded 'Classical Music Hyper-Production & Practice-As-Research' project: shaping the London College of Music's Research Agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2017) The AHRC funded ‘Classical Music Hyper-Production & Practice-As-Research’ project: shaping the London College Of Music’s research agenda. In: UWL Research Conference 2017, 30 June 2017, London, UK. (Unpublished)

Capulet, Emilie (2017) Connecting policy to practice: from work-based learning to negotiated curriculum – a case-study. In: UWL Teaching and Learning Conference 2017, 29 June 2017, London, UK. (Unpublished)

Capulet, Emilie, Bourbon, Andrew, Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 and Blier-Carruthers, Amy (2015) Creative hyper-production - experiments in classical music and live digital signal processing. In: Royal Musical Association 51st Annual Conference, 09-11 Sep 2015, Birmingham, UK. (Unpublished)

Capulet, Emilie (2015) Music and dementia workshops: bridging the gap in music education. In: UWL Teaching and Learning Conference 2015, 29 June 2015, London, UK. (Unpublished)

Laney, Robin, Samuels, Robert and Capulet, Emilie (2015) Entropy as a measure of musical contrast. In: Fifth Biennial International Conference on Mathematics and Computation in Music (MCM2015), 22-25 June 2015, London, UK. (Unpublished)

Capulet, Emilie (2015) Dementia and music workshops at LCM. In: A4D Best Practice Music Symposium 2015 Musicianship and Access for Early-Stage Dementia - The Way Forward, 17 Apr 2015, London, UK. (Unpublished)

Audio

Capulet, Emilie (2020) Henri Tomasi - complete solo piano works. [Audio]

Performance

Bourbon, Andrew, Capulet, Emilie and Zagorski-Thomas, Simon ORCID: https://orcid.org/0000-0002-4632-0320 (2015) In modern dress. [Performance] (Unpublished)

Capulet, Emilie (2015) Lecture-recital. [Performance]