Burgess, Zoe ORCID: https://orcid.org/0000-0002-5855-4458
(2024)
‘Taken by my wife’ – Challenging the Amateur/professional binary in Wessex Film and Sound Archive’s (WFSA) Early Films (1895-1922).
Open Screens, 6 (3).
Burgess, Zoe ORCID: https://orcid.org/0000-0002-5855-4458
(2025)
Chapter 12 - A mixed economy - 9.5mm in ciné‑club environments: Crystal Productions—Bournemouth Film Club.
In:
9.5mm Film and Participatory Media Before the Digital Age.
Routledge, Taylor & Francis, London, pp. 215-231.
ISBN 978-1-03-297094-3
Burgess, Zoe ORCID: https://orcid.org/0000-0002-5855-4458
(2026)
A mixed economy: 9.5mm in Ciné-Club Environments
Crystal Productions – Bournemouth Film club.
In: BAFTSS (British Association of Film, Television and Screen Studies) Conference 2026, 15 March-17 March 2026, Bournemouth.
Burgess, Zoe ORCID: https://orcid.org/0000-0002-5855-4458
(2025)
The Elision of Women’s Labour in Ciné Clubs:
Crystal Productions.
In: Women Talking: A Film Symposium, 04 June 2025, University of Leeds.
(Submitted)
Burgess, Zoe ORCID: https://orcid.org/0000-0002-5855-4458
(2025)
‘Duddy as a Mayan Indian and Bobby with the Jaguar cub’:
Audrey Granville Soames (1900-1990) and early post-colonial participatory media.
In: British Association of Film, Television and Screen Studies Conference 2025 (BAFTSS), 26-28 March 2025, Warwick.