Postigo, Alejandro ORCID: https://orcid.org/0000-0001-7922-8953 (2024) Reviving Colonial Echoes: Malinche and the Politics of a Modern Musical. Studies in Musical Theatre. (In Press)

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Abstract

On September 15 2022, Nacho Cano, former member of the Spanish pop band Mecano, premiered the musical Malinche in Madrid, a production that dramatizes the life of Malinche, an indigenous woman who played a crucial role during the Spanish conquest of Mexico as colonizer Hernán Cortés’ interpreter and advisor. The musical has provoked extensive debate regarding its treatment of historical accuracy, cultural appropriation, and the ethical responsibilities of artists. Cano’s portrayal of Malinche—a figure often stigmatized as a traitor but also seen as a powerful mediator—has been criticized for romanticizing the relationship between Malinche and Cortés and for simplifying the complex history of the conquest. Critics argue that the production reinforces colonial stereotypes, perpetuates a Eurocentric narrative, and glosses over the violent realities of colonization, thereby failing to engage meaningfully with the trauma experienced by indigenous peoples. The multilingual nature of the production, intended to broaden its appeal to international audiences, has been met with mixed responses, with concerns that it sacrifices cultural nuance for accessibility. Furthermore, the musical's political and financial underpinnings have sparked controversy, particularly due to Cano’s close ties with Madrid’s government and recent legal issues surrounding alleged exploitation of undocumented workers involved in the production. Despite these controversies, Malinche has enjoyed significant popular success, highlighting the tension between commercial entertainment and the ethical imperatives of historical representation. The ongoing debate surrounding the musical underscores the importance of informed and respectful engagement with cultural history, particularly when dealing with narratives that involve colonization and its lasting impacts on indigenous communities. Malinche illustrates the complex interplay between artistic license, historical memory, and the power dynamics that shape how history is portrayed in popular culture.

Item Type:	Article
Subjects:	Performing arts
Depositing User:	Marc Forster
Date Deposited:	11 Sep 2024 09:16
Last Modified:	04 Nov 2024 11:03
URI:	https://repository.uwl.ac.uk/id/eprint/12416

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