Article

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2018) Desert/Oasis: interruption and continuation. Prospect VI, VI.

Nardelli, Matilde ORCID: https://orcid.org/0000-0003-4582-1024 (2020) Timothy Barker (2018) against transmission: media philosophy and the engineering of time. Film-Philosophy, 24 (1). pp. 75-77. ISSN 1466-4615

Nicholls, Marcus (2021) The adaptive afterlife of texts: entropy and generative decay. Adaptation, 14 (3). pp. 313-334. ISSN 1755-0637

Olsen, Dennis (2021) The impact of camera angles in learning videos on the perception of teaching excellence and emotional connectedness of students in the creative industries. Compass: Journal of Learning and Teaching, 14 (1). pp. 110-120. ISSN 2044-0081

Book Section

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2017) Perverting the explicit: Catherine Breillat’s visual vocabulary of desire. In: Tainted Love: Screening Sexual Perversities. I.B. Tauris, London, UK.

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2018) Spectacular sex: in/visible pleasures and practices in visual media. In: Sites of the Non-eventual. Artwin Gallery, Moscow. (In Press)

Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2017) Who is Laboria Cuboniks? In: Ovartaci & The Art of Madness. Museum Ovartaci and Kunsthal Charlottenborg, pp. 245-248. ISBN 9788779451087

Nardelli, Matilde (2017) The small, the large and the moving: Bruno Munari and cinema. In: Bruno Munari: The Lightness of Art. Italian Modernities Series. Peter Lang, Oxford, UK, pp. 253-291. ISBN 9783034319379

Nardelli, Matilde, Antonello, Pierpaolo and Zanoletti, Margherita (2012) Introduction: Bruno Munari's lightness. In: Bruno Munari: The Lightness of Art. Peter Lang, Oxford, UK, pp. 1-24. ISBN 9781787079915

Show/Exhibition

Castells-Delgado, Antonio ORCID: https://orcid.org/0000-0003-1062-9411 (2019) 'Das Magische Theatre' at Chateau Papillon, St Moritz, Switzerland. [Show/Exhibition]